January 30th, 2009
Are you a beginning songwriter who strives towards writing songs that become hits? Do you need to know how you can improve your songwriting skill?
It’s not too complicated. Don’t try to re-invent the wheel. As far as I’m concerned the best way to improve your songwriting is to study what hit songwriters do. Forget about the mediocre stuff and learn from the leaders in the songwriting and music industry. Study what works.
As a songwriter who has written quite a few number one songs in my country, one thing that has helped me and continues to help me is the radio. I listen to the radio all the time so I know what type of song is happening. I know what people like, what they want to hear, and what is current. This gives me a good idea of what kind of song I should write to target a particular market.
When you listen to the radio, take notes on what hit songs have in common. Study the structure of these songs. What tempo seems to work? Are the chord progressions complicated or are the songs based mainly on riffs? What kind of chords are used? That way you can write songs that appeal to today’s audience. No matter how good your song is, if it sounds like something that would be better suited to ten or twenty years ago, you can forget it.
It is a shame how some songwriters treat the songwriting craft. I’m sorry, but if you do not spend time at developing your craft you are bound to fail. I don’t care if it’s baseball or dancing, those people who come out and top are the very same ones who practice everyday. Those who spend years at perfecting their craft. So learn form those who were there before you. Study and write songs everyday. Lay hold of songwriting books, get songwriting software, do anything to take you to the next level.
To improve, a songwriter needs to become more knowledgeable everyday. The more things you know about, and the more you can relate to different aspects of everyday life, the better for you. I never heard of a novelist who didn’t read constantly. The same applies to songwriting and great songwriters. You must put in a lot of work if you want to excel.
Nothing comes easy in life. Work, work, and work some more. Pattern your writing after what has been proven to work, but never copy. Do it everyday and reap the rewards.
Mantius Cazaubon offers lots of valuable songwriting tips, techniques, suggestions and advice on his site http://www.ultimatesongwriting.com Visit Ultimate Songwriting for the ultimate truth about lyric writing and songwriting.
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January 25th, 2009
You know 50 Cent by his music but in this 50 Cent biography you will get to know more about the man and where he came from. With so many obstacles in his way, this individual was determined to make it big. Now, 50 Cent is the largest figure in the hip hop world, dominating rap for the last two years. So, we can’t get everything into this 50 Cent biography that we would like to, but getting to know where this man came from will give you an idea of what makes him so very real to so many.
Many rap stars out there have no idea what it is like to experience the difficulty of living life on the streets. Sure, they write songs but they don’t necessarily experience what they are writing about. But, 50 Cent has. He grew up in one of the roughest neighborhoods in Queens. He saw crime happening around him everywhere from drugs to stabbings and even fatal shootings. Living in this area and seeing what he saw, he was able to portray a very clear picture of the hardest cities in the United States from a first hand point of view, something that his fellow rappers simply could not. And, he got a name for himself by telling it.
In this 50 Cent biography, we still want to talk about all that this man has accomplished. Anyone in circumstances like this has to be nothing short of extraordinary to pull through and end up on top as he has done. His grandmother raised him because his mother had died when he was only eight and his father had left. He turned to a life of hustling where he ended up in prison. Then, came his break. Deciding to turn his life around, 50 Cent took the higher road that led to a rap career. Working with Run DMC and Jam Master Jay he developed his skills.
This 50 Cent biography only touches on the life that this remarkable man has led. And, it hasn’t stopped yet. Working with Eminem as well as a number of other hip hop artists of high stature, his career continues to climb. You can count on seeing 50 for years to come.
Hip Hop Capital is the home of online hip hop jewelry. The place where you can find TONS of 50 Cent bling. Hip Hop Capital has been a force online for years and only continues to grow. Go to http://hiphopcapital.com/catalog/50-cent-jewelry.htm and see for yourself why thousands choose Hip Hop Capital.
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January 24th, 2009
What is iTunes? It is the local buzzword going around town nowadays. Everybody is talking about it. Well, iTunes is actually a digital media player application that has been developed by none other than Apple Computer. This concept allows you to play and organize your own personal set of digital music and video files. You could also use this program to manage you iPod, the highly popular digital audio player from Apple.
You can connect to iTunes Music Store and even purchase digital music and movies as well that you can play on your iPod or iTunes. This easy access to amazing music and movies has made iTunes an extremely popular concept and it is also easy to use, thereby encouraging people from across the world to use it.
You can carry out a number of functions with iTunes, literally at the tip of your fingers. You can organize your music into playlists and even edit the files. You might want to copy files into a digital audio player or record compact discs, download podcasts and more. If that is not technology, what is?
You can play you songs on a random basis or according to a sequence. You can select the songs you want to listen to and even delete tracks that you don’t want. You can even avail of a radio service from Apple. You can listen to 300 channels and more in MP3 format where you can listen to music and interesting chat sessions about music and the artistes as well.
It was in 2005 that iTunes also introduced video support where you can access movie clips from the iTunes library and this can be viewed on the iTunes display screen or a separate window. Today their facilities have increased so much that you can download the best of TV shows and you can watch it leisurely. So now, no disappointments if you miss your favorite show on telly!
ITunes is compatible with most computer operations like Mac of course, Windows XP, Windows 2000 and Windows server 2003 system. Today, iTunes offers you a variety of features and really for a person on the move, iTunes is a blessing. You can of course listen to music through playlists, the music library and even the Internet radio. You can enjoy file formatting and music sharing. Enjoy the facility of downloading video clips from your favorite programs on TV and movies too.
Podcasting and video podcasting are the features available on iTunes and of course there is the iTunes music store and mini store from where you can purchase any number of songs. iTunes is probably the best thing to hit mankind in recent times. And wherever you are, you can enjoy your favorite songs while you work or while you play. It’s all at the touch of a button.
Dave is the owner of hackitunes.info and myitunesmusicstore.info websites that provide information on iTunes
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January 23rd, 2009
The guitar is the most known and popular musical instrument. It’s an instrument that is played for almost all kinds of music, like rock music, country music, lounge music, pop music and contemporary classical music.
An acoustic guitar is hollow with a sound hole (a round hole in the face). An electric acoustic guitar is made up of wood and has six strings which produce a rhythmic, sweet, musical, yet loud sound. The difference between an acoustic electric guitar and an electric guitar is that a normal electric guitar can only be played when it is plugged in, where as an acoustic electric guitar doesn’t have to be.
Plugging in an electric acoustic guitar gives it an awesome sound. The electric guitars have a lot of knobs to deal with, whereas the acoustic electric guitars can be used as a normal guitar or an electric guitar. The strings of electric guitars are soft, and much easier to press. If asked to recommend what type of guitar is the best buy, then the acoustic electric guitar will definitely take a higher edge in recommendation as it can be used two ways: as a normal acoustic guitar to play it normally and as an electric guitar to be played when plugged in an electric socket.
The sound produced by an acoustic electric guitar when not plugged in is the same as a normal acoustic guitar, and when plugged in it sounds like a good electric guitar. The two-in-one purpose makes it the best buy if you are passionate about the guitar and want to have both types.
Electric Guitars provides detailed information on Electric Guitars, Acoustic Electric Guitars, Cheap Electric Guitars, Electric Bass Guitars and more. Electric Guitars is affiliated with Piano Lessons.
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January 23rd, 2009
Brand-new artist promotion service “Artist’s explosion in Japan” by fishthemusic.com (Bigfish Network Inc.)
What fishthemusic.com does;
1. We play your song on our web-radio “music-islands.com.” http://www.music-islands.com/
Now web-radio “music-islands.com” has approx.3,000 unique users a month, and more than 300 visitors a day, with over 50,000 pageviews (Oct. 2005). It’s increasing day by day.
To play your music on our web-radio, is to easily recognize your music to Japanese music fans.
2. Set your own page up in Japanese, at our “music-islands.com” blog, that includes your basic info (Genres, location etc.), plus your self-description (your catch-copy or/and strong points) on it, It also includes one mp3 sound file. So it is submitted into Japanese podcast portal websites. Our blog sends ping to Japanese several other portal blog sites at every update.
Of course, we link back to “your original website”, “your myspace URL”, “your Apple iTunes Music Store page” and “where to buy CD”. It means, our visitors are able to easily jump into your music, whenever they love you!!
3. If you give us an additional approve for Pod-safe usage, we provide your song to other Japanese Podcasters and let your music make more exposure in Japan,..
We also put your song at 2 other Japanese social networking services (SNS).
One is “recommuni.jp” … music SNS, it has 10,000 members. (Oct. 2005) We post your mp3 sound file for free download to Japanese music fans there. It’s on for a month. It’s one of the most effective cyber promotions in Japan. http://www.recommuni.jp/
The other is “jammy.jp”. This is also new music SNS that launches on January 2006 and is expected to have 20,000 members until April 2006. We also set up the web-radio station on it and play your song.
“jammy.jp” is managed by Japanese famous music publishing company “Hipland Music Corporation”. It will invite many Japanese music business people; labels, promoters, producers…etc. So those who have be interested in your music, can easily visit your website and contact you directly. http://www.jammy.jp/
And more,
In 2006, we are going to invite 1 artist, at least, to Japan, and set up a few stages for show case gigs, somewhere in popular nightclubs in Tokyo or so. It will be our first experience and really challenging for us, though,,, Details are not fixed now. We may have a contest at our website for it, anyway……
What you do for it;
Give us a non-exclusive license for everything we have described above. Email me your Basic information, and one mp3 file (128-192k) with our application form below. We don’t need CD anymore.
Pay Set-up fee through our secure online form. 3,000 Japanese Yen will be charged (about $28.00 US dollars) for setting your song in our online radio, and 2 other music SNS that we describe above.
As soon as everything has prepared, we will set up your page and play your song,2 other SNS community websites as well. We’ll be glad to promote you and hope our promotion actually works well for you here in Japan. ARIGATO.
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January 15th, 2009
As a vocal coach, I hear it all the time. I love to sing but when I do, I get hoarse and need to shout to be heard after only a few hours. Some days I just want to give up. What am I doing wrong? What can I do about it?
Sadly, this is an all too common problem for many singers. The good news is that it is not your fault. Many people sing from a place of passion without having the control to protect their voice. We are encouraged to do so from other musicians, choir leaders, friends, our audience etc. Oh yes, and because we love to belt out our favorite tunes. It is no wonder we forget that the voice is “our” instrument and that it is to be treated with care and respect.
Some singers are born with a gift to sing but most need to understand how the voice functions naturally and take considerable care not to sing in a way that will limit their ability.
What are you doing wrong you ask? While you are probably doing many things right, I suspect you have developed one or two bad habits throwing everything off track. Let me explain. The throat does only two things. One, it produces the tone that differentiates one sound from another. This is what makes you sound the way you do and me sound the way I do. Second, the vocal cords vibrate creating a pitch. Slower vibrations occur for lower tones with faster vibrations for the higher tones. If we push too much air through the vocal cords to reach up to high notes or sing louder then we are able to control, the vocal cords slam together cutting off the sound. If done for an extended period, the voice will get tired and sore. If done on an ongoing basis, it will cause damage decreasing your ability to sing. Many people who sing well in their 20’s lose their voice early in life because of this lack of information. Sounds simple doesn’t it? That’s because it is.
What can you do about it? Singers have an enormous amount of fear when it comes to singing. They worry about what people think so they inevitably put far too much emphasis on the throat. This must stop. What you need to realize is that only 25% of your voice comes from the gift you have been given. 75% comes from understanding how the voice works and how to bring out the best in your voice. Taking the emphasis off the throat will eliminate the tension that cuts off the sound we produce. Use proper breathing techniques to support your singing, taking in only as much air needed to sing a phrase. Remember, the voice has the ability to get stronger and better as it matures rather then deteriorate.
From time to time, we all push our voices beyond their limits, become ill, or need a little something to sooth the throat. Please consider products without sugar or alcohol. They will only dry the vocal cords. Herbal teas such as mint is very soothing. Choose natural products and not products that only have artificial flavors. They will not take the edge of an already overused and tired throat. Drink lots of water 48 hours before singing and more if you are ill. Avoid anything that will coat or dry the vocal cords the day of singing such as dairy products, greasy food, decaffeinated drinks, alcohol, high-carbohydrate foods and smoking.
To wrap things up….what I am saying is please stop putting emphasis on the throat when the throat has very little to do with your singing ability. One last thing….relax, relax, relax. Singing was meant to be enjoyed by you and your audience, so don’t take things too seriously. In time, with a little practice, it will all fall into place. Trust that you are on the right path and that you will reach your goals. It’s really that simple!
All the best, Donna
After moving to Toronto from Montreal 22 years ago, Donna began a journey of vocal training that connected her with coaches in Nashville, Los Angeles, San Francisco, as well as the Royal Conservatory in Toronto.
Although she found the techniques to be practical and was taught scales designed to improve the voice, she soon realized that no one was able to offer a method that allowed her to sing the many different styles of music she enjoyed singing.
It was clear that the only way she would find training that would bring out ALL the qualities that are UNIQUE to her voice, would be to develop it herself. So she did………..
Over the years, Donna has developed a complete mind / body / spirit / voice method designed to access the energy from the body to eliminate any pressure that may prohibit us from singing our best. She combines yoga and tai chi breathing along with specific exercises designed to building proper breath support while gently working the entire vocal range, top to bottom.
http://www.vocalcoach.ca
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January 14th, 2009
MP3 game downloads is an excellent choice for getting the latest games quickly and without the hassles of traveling to the store. There are many locations right on the web that can provide you with the best of the best for much less. There are several locations that do offer a wide range of choice when it comes to mp3 game downloads. Some offer more than others or they offer a better quality product. It will take a little looking to find the most affordable choice that is also the one that has what you would like to download.
Once you find the right location for your mp3 game downloads , you can easily and quickly (it seems almost instantly) download them to your PC, hand held, notebook, or you can check out mp3 game downloads as well. There are specific services that are available to provide you with the ability to get great quality games and music on your mp3 player or pc. If you choose mp3 game downloads, you can find the right location to download from on the web to your player, take the games with you wherever you decide to go.
No matter if you choose mp3 game downloads or find a few great games to download to your PC, there are many services that are providing this ability to you. If you are skilled, you can even find a few free mp3 game downloads. Of course, to get the best products available, you may want to go with a paid service. It also pays for you to take your time in checking out a few of the services for their fees and their membership details. With so much competition out there, you are sure to find a great deal being offered to new members.
Please visit some of my web sites MP3 Games and MP4 Games
For more info please visit my web site at mp3-game-downloads.blogspot.com” title=”MP3 Game Downloads”>MP3 Game Downloads
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January 13th, 2009
Most of you have probably heard of the RIAA’s quest to crush online music piracy. The illegal sharing of copyrighted songs via the MP3 format over the Internet costs the music industry billions of dollars. This is conventionally done using illegal file sharing programs like KaZaa and iMesh. This article explores the legal ways to download and enjoy music from the Internet.
Method 1: Check out Free Music Sites
There are many free music websites which provide free music downloads. These are not the websites of your music pirates - they are totally legal. Don’t expect to find full albums to download, particularly if the song is from a famous artist (only music pirate websites allow full album downloads). You’ll only find a few “teasers” intended to make you want to buy the artists’ CD. Independent, less well-known artists are an exception - many of them will let you down their complete song catalog to promote themselves.
Here are a few of the free music websites which I recommend:
- AMPCAST.com
- Amazon.com Digital Music Downloads
- RollingStone.com
- ElectronicScene.com
- The Internet Underground Music Archive
Method 2: Buy Music Online
An increasingly popular way to find and download music online is to head for legal online music services. The most popular of these is the Apples iTune service. Currently it provides over 400,000 songs from all five major labels. Each song is available for a standard price of 99 cents each. Here are the best online music services I’ve come across:
- EMusic.com
- iTunes
- MusicMatch Downloads
- Napster 2.0
- Rhapsody
- Weblisten.com
Conclusion
It is very tempting to use KaZaa and other file sharing programs to download music - but please don’t. If you wrote a song and sold a CD, would you be happy to see millions of people distributing that song for free? No. You don’t have to break the law to find and download free MP3 music. There are many websites out there offering free music - you just need to find them.
About The Author
Gary Hendricks - http://digital-music-guide.com
gary_hendricks@digital-music-guide.com
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January 7th, 2009
In past headlines it read, “Ax may be hovering over Mariah Carey…recording giant ready to drop singer.”
Now wait a minute, didn’t Mariah Carey sell well over 50 million albums since 1990? (Strictly speaking in the dollar terms, that’s roughly 649 million dollars in album sales alone.) And wasn’t she one of the hottest acts in the past decade and in the exclusive Top Ten All Time Artist who have the most consecutive #1 hits?
Okay, so she’s not married to the head of Sony Records any more and who cares that she had an emotional breakdown (who wouldn’t with the kind of pressure she has to deal with - I think I’d like to have a breakdown now!) - She’s considered a liability? When her contract was reportedly worth an estimated 80 million dollars and trouble looming over an already unsteady economy, which has hit the music industry over the past several year in declining sales, especially since the tragic events that occurred on September 11th, it’s no wonder the “ax” would fall on those with huge salaries.
With sales from her first release on Virgin/EMI only reaching 400,000 when it was released, this album has been a disappointment to record company execs as I am sure it was to Ms. Carey who has always been at the top of the charts until now. But doesn’t everyone have a bad hair day? Of course, but not to the tune (excuse the pun) of 25 million dollars which is what Ms. Carey was reportedly paid for the first release, “Glitter” on her old label. Now mind you, I would love to make that kind of money, and hats off to Ms. Carey’s people for negotiating that kind of deal, but the risk one takes in being the highest paid, is that you are usually the first one to go when times are tough.
While Ms. Carey might have had an easier time with her old label because of loyalty to her and the huge profits she has generated and still does for them, this brand new label had nothing but dollar signs and no loyalty to her financially. Hopefully, Alain Levy who replaced Ken Berry will be able to renegotiate Ms. Carey’s contract instead of letting her go.
This was and still is today definitely yet another wake up call in an already floundering industry. With Record Companies going down and out and hanging out their shingles right and left (DreamWorks being the latest). Executives being fired here, there and everywhere. Artists trying to duck for cover so they aren’t the next casualty; it’s a scary proposition being a musician. Okay, so it’s always been a scary proposition.
So I ponder…why are things so much worse then they used to be? Could it be that too much money is being paid at the top? Is there not enough promotion? Is there too much shifting and leveraging to get the best deal? Is the quality of the product not meeting the demands of the populace? Bingo! With the fragile state of this and so many other industries, 1 hit wonders mentality must go if the recording industry wants to not just survive, but thrive. (Ms. Carey does not fall into this category; other then they are trying to find the next Mariah Carey.) Quality, not quantity. The industry needs to stop the mass cookie cutter attitude by trying to produce the same acts with different people in them over and over again. It’s like eating the same meal at different restaurants night after night. Different chefs, the same recipe, but none of the meals were as good as the first taste you had at your favorite restaurant. If you keep churning out the same act with different faces, eventually the fans will get tired of the original acts also and stop buying even their product.
Change is a good thing and new acts come up all the time, but change is not good when it is constantly happening and no one knows which end is up. The industry needs some stability and consistency, not only in the ranks, but also with the artists. Too many artists are pulled off the shelves before they even get off the ground, leaving the listening audiences confused and disgruntled. The labels have forgotten the fans and is only worrying about paying their costly mortgages, thereby losing all loyalty from the paying public.
If the audience is not happy, they won’t buy the product. In addition, we seem to be seeing even in the bigger named artists, with only 1 song released off their albums to the listening public. Not many people want or can afford to buy an album for $11.98 with only 1 song they like on it anymore, even if they are loyal fans of the established artist. The general population is the ones who are suffering the most in this economy.
If there is little or no money coming in, then the day of the big contracts is gone. Some of the largest selling albums are ones with multiple songs on it that the listener likes. Take Shania Twain for example. Her albums are mega sellers with more then 1/2 the album on the singles charts at various times. Why are her albums huge? Because they are quality, and a great bargain. The buying populace wants a deal. The Record Industry seems to want to put out a little and expect to get a lot, and in doing so, they are losing the fan base in general. People are spending their money elsewhere.
They forgot that we are the fans and the fans have the buying power. Without the buying power, they lose their jobs, the big deals go away, and the labels go under. They need to stick with the artists once they have signed them, promote them, and if the first album doesn’t work, try another one and work harder with a different strategy. Forget trying to get another Mariah Carey, N-Sync, or Shania Twain.
Use the talent that is there and churn out more then a 1 hit wonder. Then the buying public will come back and the fan base will be there for hopefully years to come. Look at acts like the Beatles, Garth Brooks, Elvis Presley, ABBA and Barbara Streisand to name a few. These acts stir the general public, and very few people have not heard of them. They still sell records and when they do a concert, it’s sold out in a second. This is because of quality. They weren’t churned out and then spit out.
Let’s take ABBA for example. This is a group based in the 70’s, and they haven’t had a hit record in decades. They are also one of the biggest selling groups of all times, still selling albums today. Recently, they were offered a billion dollars to tour for one year. The turned it down (wish I could do that!). While that is a contradiction of what I said about those with the largest pay being cut first, it is in line with what I have been trying to say here all along - the bottom line is the fan base. If it’s not there, the money will not come in, and it can’t be there with a 1 hit wonder. Too much spending, and not enough quality product has caused the music industry to come crashing down to reality.
A little side note on Ms. Carey. I do wish all the success on her new CD (and it looks like she’s hitting the top). She certainly deserves it. She has worked hard and worked smart for the most part and has earned the right to a deal of the magnitude she received.
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January 5th, 2009
I recall when I started out performing, I had a tabla gig at a festival in London and the agent who had then found me the gig asked me to sign a contract saying that I’m going to perform and I’m going to be paid £150 for the 50 minute slot for an Indian Classical show. At that time, I used to think what’s the bloody point of a performance contract? All I need to do is get on stage, speak my thoughts through the drum, get off stage, get paid and that would be my day’s work! However I did sign it to keep on his terms and although I did get paid, I didn’t realise at the time what the point of them were.
As my knowledge in the music industry increases, I found out the reason why that agent had a contract, and I feel its also important for me to share the same with you here, so read through carefully and see how you could implement in the same in your music life. I’ve also teamed up with famous music lawyer, Brett Trout, to give you two examples of performance contracts. When I came across Brett, he said, “The goal is to lay out the deal so everyone is on the same page. The more fair a contract is, the more likely everyone will agree to sign it.”
The contract is simply there to keep your terms civil and so that nobody takes advantage of what you may have decided prior to the event. Of course, being reasonable, it’s obvious that the contract does not have to be used for all your performances. For example, if you’re playing a house concert or a coffee shop gig, there’s no real reason to have a contract as its only you and maybe a few others, and a “handshake” or verbal agreement is good enough. However when it comes to a festival gig, they have tens of performers lined up and things can get easily forgotten with all the payments that the festivals finance department have to deal with it and therefore its sensible to have a performance contract signed. Personally, I only tend to use the contract about 4 times a year - so as you can see, its best to take it as it comes.
Another important factor to note is that there isn’t a perfect contract for a situation. All contracts will vary and its up to you to be able to note the differences and be sure to make any changes should they be required. With the two samples that you can see at the end, you’ll begin to get an idea of what may be expected in a contract.
First, lets look at the basics of what should be included in a contract:
• Date, Time, Venue, Compensation and Signature - This is most important, and in some cases is all thats required. For the compensation, best to include when and how you will receive payment
• Performance Details - include timing, description, accompaniment details, whats to be performed
• Recording, Reproduction - Ensure this is cleared up. It is normally up to you, the artist, if you would like them to reproduce your performance at a later date. Be sure to give them authorisation either way.
• Merchandise - do you have the right to sell your merchandise there? Be sure to clear this up.
• Meals, Transport, Lodging - Are these expenses reimbursed? Ask, if its not on the contract. You don’t want to have to spend bucks and think they’ll pay you when they won’t.
• Insurance/Security - What is being decided about personal liability insurance?
I hope this gives you a brief idea of what should be included.
© Kavit Haria, The Musicians’ Coach
Kavit Haria is The Musicians’ Coach. Kavit is the director of
InnerRhythm, a company that prides on providing success solutions for
musicians worldwide. Kavit sends out a musician development newsletter to
over 2000 musicians in 16 countries every fortnight to help them achieve
their desired results. Sign up now and experience the huge benefits from
www.innerrhythm.org
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